(THE CONVERSATION) At the end of Katsuhiro Otomo’s dystopian Japanese anime film “Akira,” a throbbing, white mass begins to envelop Neo-Tokyo. Eventually, its swirling winds engulf the metropolis, ...

(THE CONVERSATION) At the end of Katsuhiro Otomo’s dystopian Japanese anime film “Akira,” a throbbing, white mass begins to envelop Neo-Tokyo. Eventually, its swirling winds engulf the ...

(The Conversation is an independent and nonprofit source of news, analysis and commentary from academic experts.) Frank Fuller, Villanova University (THE CONVERSATION) At the end of Katsuhiro ...