Emilia Pérez' won Best Original Song, but the music's bad translations and trans stereotypes reflected the same problems many had with the film.

The Oscar winner for Best Original Song, as predicted by Gold Derby's odds, was "El Mal" from Emilia Pérez. It was written by Camille and Clément Ducol, who also composed the film's score, and the ...

We are so grateful," said Camille, letting out a great "whoo hoo" as she and Clément Ducol accepted the Oscar for Best Original Song for El Mal in Emilia Perez. "We wrote El Mal as a song to denounce ...

In another music category, first-time Academy Award nominee Daniel Blumberg is now an Oscar winner. He took home the trophy for original score for “The Brutalist” on Sunday. Blumberg beat Ducol and ...

It's Friday, which means we have a roundup of new music to carry you into the weekend. After an incredible night at Premio Lo Nuestro, let's keep the celebration going with A-list names ...

This week, songwriters Clément Ducol and Camille explain how they created the music that accounts for three of the 13 Oscar nominations for Emilia Pérez. They’ve had to campaign for their work in the ...

and we hope it speaks to the role music and art can continue to play as a force of the good and progress in the world.” “Emilia Perez” was not hurt by competing against itself in this category.

The Oscars has named 'El Mal' from 'Emilia Pérez' as the winner of 'Best Original Song', winning the contentious film an Academy Award.

They were Emilia Perez‘s French musical directors, Camille and Clément Ducol. If they deserved a trophy, it was for the music’s production and arrangements (they clearly know what they’re ...

The music and the songs ... Blumberg beat Ducol and Camille (“Emilia Pérez”), Kris Bowers (“The Wild Robot”), Volker Bertelmann (“Conclave”) and John Powell and Stephen Schwartz ...