Jim Oblon drops some blues science, demystifying the practice of alternating between parallel minor and major pentatonics ...

If you look closely at these arpeggio/chord shapes and compare them to shape 3 of the major pentatonic scale, you’ll see the ...

This time, I’d like to demonstrate a soloing approach over this rhythm part, using both major and minor pentatonic scales, as well as some chromatic notes. Figure 1 illustrates the solo ...