In 1934, two young artists drove from Los Angeles in a beat-up car to Mexico, to create a powerful artwork about repression.

In light of recent events, it might be a good time to remember a very simple truth: Nazis are ALWAYS the bad guys.

As anxieties grow about a new era of cultural repression under Trump, artists and institutions are working hard to push back ...

Donald Trump’s executive orders draw from a previous, dark period of American history pairing ethnic exclusion through mass deportations and ideological exclusion through political repression. US ...

Amidst the most severe economic crisis faced by the island in decades, the Gran Muthu Rainbow hotel, renowned for its ...

We also speak about the anti-repression landscape that Tameio participates in, the end of asylum protections against police on university campuses and difficulties faced by the anti-authoritarian and ...

From medieval psalters to the oils of Gustave Courbet, the Louvre has organized one of the most comprehensive surveys of a ...

This experience reveals a nexus among domestic debt, financial repression, and external vulnerability. Unlike foreign currency-denominated debt, debt in domestic currency may be reduced through ...

The work of former University of Virginia students comes together in “A Continuous Storyline: Four Decades of UVA Painters” ...

Lijn's career has taken her from hanging out with artists in 1950s Paris to observing cutting edge scientific research at ...

Financial repression can be used to avoid a government default when fiscal policy is constrained. We present a model showing that optimal financial repression progresses through successive stages with ...

Mark Hudson talks to China’s most provocative exile about his new exhibition, the triple standards of the West, the crisis of ...