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BFI’s collection of Victorian 68mm film – the “IMAX of their day” – afforded protected status as part of a collection of 300 titles that will be added to UNESCO’s register.
The Oscar-winning composer behind Black Panther and Oppenheimer talks about bringing the blues to work on director Ryan Coogler’s Sinners.
The festival opens with a glorious dye-transfer original British release print of Star Wars, and will close with a pristine 35mm print of the original US pilot episode of Twin Peaks, screening for the ...
Filmmakers from Martin Scorsese to, soon, Terrence Malick have attempted their own cinematic versions of the life of Christ. How might the version Carl Theodor Dreyer wrote but never made have ...
Alex Garland and Iraq War veteran Ray Mendoza’s rigorous re-enactment of the 2006 Ramadi incident is a powerful depiction of combat but leaves little space for the audience to connect with its ...
The fund is open to organisations to deliver creative project development labs across the UK.
One hundred years after he was born, we salute the fury and intensity of Rod Steiger’s presence on screen, from On the Waterfront to In the Heat of the Night.
With two new John Lennon documentaries out this spring, and news filtering out about Sam Mendes’ upcoming Beatles biopics, we assess the best of the Fab Four on film.
Audiences attending screenings and events at BFI Southbank increased by 6%, with 50% of these audiences new to BFI Flare.
Using the couple’s own tape recordings and a patchwork of archive clips, Kevin Macdonald takes an intriguing show-don’t-tell approach to the first 18 months of John Lennon and Yoko Ono’s move to New ...
With the launch of the second series of The Last of Us – based on the video game of the same name – we look at 10 engrossing stories that can only be experienced with a controller in hand.
Uberto Pasolini trades a fantastic voyage for an intense portrait of a marriage as the long-suffering Odysseus, played by Ralph Fiennes, returns from the Trojan War.
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