2021年12月8日 · Qianlong porcelain can be broadly divided into three categories: guanyao (imperial), minyao (porcelain for the people), and export. Guanyao and minyao porcelain share many of the same glazes, shapes, and designs. This category encompasses pieces such as monochromes (pieces glazed with a single colour which are appreciated for their elegance of ...

Like his grandfather Kangxi, the Qianlong emperor made five great tours of inspection of southern China, reversing the tradition of the Ming emperors who only left the Forbidden City to visit the imperial altars but did not venture outside Peking. His daily routine was described in detail by the Jesuit priest Fr Benoist.

Offered here is an attempt to identify some of the marks on mostly late, trade and export quality porcelain. This section is about commercial workshop and export marks of the mid 19th century and later. For further discussions on antique Chinese and Japanese Ceramic Art you are most welcome to join the Gotheborg.com Discussion Board.

2019年11月27日 · The most comprehensive reference book on Chinese reign marks is Gerald Davison’s Marks on Chinese Ceramics, published in 2021. It lists around 4,200 marks, including all the major Ming (1368-1644) and Qing (1644-1911) dynasty imperial reign marks, in addition to the many studio marks, hallmarks and myriad miscellaneous marks that are also to ...

2021年12月8日 · In the current antique market, a piece of Chinese porcelain with the ‘mark and period’ designation, especially with regards to commercially ‘popular’ emperors such as Yongzheng or Qianlong, this could potentially add another (or a few other) digits to the value!

2024年9月5日 · Over the summer, one of my more interesting projects was to help a client research a Chinese Qing Dynasty (1644-1911) porcelain 'dragon' dish with Qianlong mark and period (1736-1795). He acquired the dish at Christie's New York back in 2010.

Qianlong 乾隆 (Meaning 'Lasting Eminence') became the name of his reign (1736-95). Qianlong was the sixth Manchu emperor and the fourth emperor of the Qing dynasty (1644-1911). Imperial reign marks are like all old Chinese texts read from top to bottom and from right to left.

2015年7月12日 · Qing potters succeeded in reproducing most of the famous glaze colors found in ceramic wares of the Song, Yuan and Ming dynasties. In addition, they created a variety of new glazes, thus bringing vibrant energy to Chinese porcelain art.

2024年11月2日 · The slipcase-shaped porcelain jinzhong cage in gilt and famille rose enamels in the Qianlong reign (1736–1795), Qing dynasty (1644–1911), collected in the Palace Museum (Beijing). The so-called jinzhong (a name for insects chirping like crickets) cage refers to one to keep crickets, cicadas, and other insects.

The Qianlong period (1735-1796) of the Qing Dynasty is considered a golden age for Chinese porcelain, marked by innovation, refinement, and a flourishing of artistic styles. Emperor Qianlong, known for his patronage of the arts, oversaw a period of great creativity and technical achievement in porcelain production.