‘The Manhunt’ is read by Laura, wife of Eddie Beddoes. Eddie served as a peace-keeper in Bosnia before being discharged due to injury and depression. The poem starts with a series of couplets and then the rhyme scheme falters to being mostly unrhymed.

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In the film ‘The Manhunt’ is read by Laura, wife of Eddie Beddoes, who served as a peace-keeper in Bosnia before being discharged due to injury and depression.

2017年8月3日 · Eddie Beddoes was a soldier working on a peacekeeping mission in Bosnia in 1997. Nobody thought that there was any danger, but during the mission Eddie was shot and suffered injuries which later haunted him. He was only 19 years old and had his whole life in …

In the film ‘The Manhunt’ is read by Laura, wife of Eddie Beddoes, who served as a peace-keeper in Bosnia before being discharged due to injury and depression. The poem describes the human cost of the conflict as it describes her experience on her husband’s return and the effect on their relationship of the physical and mental scars that he bore.

In the documentary, the poem is read by Laura who was the wife of a peace-keeper in Bosnia in the 1990s, called Eddie Beddoes. He was discharged from service due to his injuries, both physical and mental.

The Manhunt was inspire by the Channel 4 documentary, Forgotten Heros: The Not Dead. This poem is told from the perspective of Laura Beddoes, who discusses her relationship with her husband Eddie Beddoes.

2024年8月29日 · In the collection The Not Dead, the poem 'The Manhunt' is called ‘Laura’s Poem’: The poem’s speaker represents Laura, the wife of Eddie Beddoe, who was a peacemaker in the 1990s Croat-Bosniak conflict. Eddie Beddoe was shot three times, causing severe injuries to his face and body

‘The Manhunt’ was originally aired as part of a Channel 4 documentary, Forgotten Heroes: The Not Dead, in which the painful truth of lives damaged beyond help is shown. In the film ‘The Manhunt’ is read by Laura, wife of Eddie Beddoes. Eddie served as a peace-keeper in Bosnia before being discharged due to injury and depression.

This is, on one level, a literal reference to the fact that Eddie Beddoes, on whom the poem is based, was shot. This image also demonstrates how the speaker’s physical journey is becoming part of a mental voyage for both husband and wife. By feeling her husband’s “hurt,” the speaker is being allowed inside the