Painted during the latter part of Giotto's career, the Madonna and Child was the central part of a five-section polyptych, or altarpiece in many panels (see Reconstruction). Giotto utilized a conservative Byzantine-style background in gold leaf, symbolizing the realm of heaven, and included a white rose, the traditional symbol of Mary's purity ...

Madonna Enthroned, also known as the Ognissanti Madonna or Madonna Ognissanti, is a painting in tempera on wood panel by the Italian late medieval artist Giotto di Bondone, now in the Uffizi Gallery of Florence, Italy.

The artwork “Madonna and Child Enthroned” is a significant religious painting by the artist Giotto, created between 1308 and 1311. This Proto Renaissance masterpiece was executed using tempera on wood, reflecting the artistic innovations and devotional expressions of its time.

Giotto's depiction of the Virgin and Child as a human mother and child, as well as divine beings, was an important influence for later Renaissance artists, especially figures such as Filippo Lippi, tutor to Botticelli, whose images of the Madonna and Child develop the human element of the scene, eventually reducing the figures' gold halos to ...

Giotto, The Ognissanti Madonna and Child Enthroned, 1306–10, tempera on panel, 325 x 204 cm (Galleria degli Uffizi, Florence), painted for the Church of Ognissanti, Florence Video transcript [0:00] [music]

We are witnesses to the human interaction between a mother and a child. The infant steadies himself by grasping his mother's finger and reaches - like any baby - for the flower she holds.

The Ognissanti Madonna by Giotto. This large altarpiece, painted by Giotto in 1310 circa, is a very important landmark in art history. It was painted for the Florentine Church of Ognissanti, hence the name. Before Giotto, painting was still tied to the schematic Byzantine style and its archaisms.

The artwork titled “Madonna and Child,” created by the artist Giotto around the years c.1295 to c.1300, is a fresco that belongs to the Proto Renaissance art movement. The dimensions of the artwork are 180 x 90 cm, and it is a religious painting currently located in …

May 12, 2021 · Painted during the latter part of Giotto's career, the Madonna and Child was the central part of a five-section polyptych, or altarpiece in many panels (see Reconstruction). Giotto utilized a conservative Byzantine-style background in gold leaf, symbolizing the realm of heaven, and included a white rose, the traditional symbol of Mary's purity ...

Giotto (Vespignano, Vicchio di Mugello 1267 – Firenze 1337) A4. Giotto - Cimabue. Mary, holding Jesus in her arms, is seated on a throne, like a queen. This is the iconography that gives rise to the title “Maestà” or “Majesty”, used to refer to this and other paintings with similar subjects.